“She’s so badass,” Bridgers told me later. Backstage, she shared a dressing room with the seventy-four-year-old soul singer Bettye LaVette. A thin headband pushed her white-blond hair from her face. Already, it felt resonant.īridgers, who is twenty-five, wore a tea-length black dress and high-top Doc Martens. The text is intended to coax a consciousness through the foggy space between death and rebirth. Early in the evening, the artist and musician Laurie Anderson performed several pieces from her album “Songs from the Bardo,” in which she narrates sections of “ The Tibetan Book of the Dead” in a gentle, steady voice. New York was not yet fully in the grip of the coronavirus pandemic, but a diffuse anxiety was nonetheless in the air. In late February, the singer and songwriter Phoebe Bridgers appeared at Carnegie Hall as part of a benefit for Tibet House U.S., a nonprofit founded by the composer Philip Glass, the actor Richard Gere, and the Buddhist scholar Robert Thurman. This content can also be viewed on the site it originates from.
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